Wouldn’t it be nice if we could have a handy symphony orchestra to play when we want where we want? Especially if you want to add them to your mix or your song. Unfortunately, our best option is string library now while there are plenty of choices out there but sometimes they just can’t provide you with that “X” factor you are looking for. Let’s just call it the “Human Touch”
As much as it is impossible to recreate such here are a few tips on how you can come close to one.
Meet the Strings – don’t be confined to the idea “I’m just using a MIDI”
Read more here: https://theproaudiofiles.com/5-tips-realistic-sounding-midi-strings/
Recording Tips and Techniques
The Making Of Sound Effect Tools By Cinetools
Cinetools will soon be releasing a new series of modern sound effects tools and palettes more specifically for the use of filmmakers. Cinetools is well known for designing unique sound effect for the film industry. From it first collection called “Otherworlds” creating that dark mysterious effects bringing color to productions with over 750 cinematic FX and audio beds of nonstop creation.
In this video, Cinetool lets us in on a sneak preview of what’s in store next for their upcoming release of Sound Effect Tools. Watch how they bring the character of every sound captured in this video.
Watch here: http://www.loopmasters.com/articles/3778
What Does Unity Gain Mean?
Here is yet another term that not only sounds confusing – not quite seeming to describe what it actually means; but actually IS confusing. So why do you need to know what it means?
I’m not entirely convinced you do need to know about the term, exactly. I can probably count the number of times I’ve ever uttered the term “unity gain” on the fingers of one hand.
And if you’re you’re mostly just recording at home using a USB interface (like the Focusrite Scarlett 2i2) going straight into your computer, the simplicity of your setup often takes care of any huge problems with unity gain.
But what you SHOULD understand is how to get good sound quality that has the lowest noise and does does not distort (meaning something was too loud* at some point in the recording). That is essentially the goal of unity gain anyway.
One of our tips on getting the best audio (see Improve The Quality Of The Audio You Record At Home – Tip 3), is to record as loud as possible without distorting. Again, technically this should say “record at as high a signal (gain) level as possible without it ever being TOO high.” The reason this is important is that you can get an excellent signal-to-noise ratio by keeping the signal (your voice, say) much louder than any noise (system hiss, background noise, room noise, etc.) that might also get recorded. The better that ratio, the better the audio quality, generally.
However, if the gain is too high, the electronic components will overload and cause distortion, which is a terrible fuzzy, distorted sound that ruins your audio.
So what you need is a good balance between “loud enough and too loud.”
So what is “unity gain” again?
I haven’t said what it is yet:-P. Technically it means “Audio that goes into a device at one level and comes out of that device at the same level is said to be at unity gain.” – Homerecording.about.com.
I think the best way to explain this is by describing what can happen when audio is nowhere near unity gain. In our post “5-Dollar vs 500-Dollar Mic,” you can hear how audio can be ruined even when you record with expensive gear.
When recording a vocal, a friend of mine plugged an expensive microphone into his interface box. The interface box gain setting was too low, so the recording came out too “quiet” (too low a level). So in order for the audio to be heard, my friend used recording software to turn the volume up (increase the gain) before saving it. The problem was that by turning low-level voice recording up by a lot, he also turned up the noise by A LOT. In fact he turned it up by too much, resulting in distortion. You may wonder how you can have an audio signal that is simultaneously too soft AND too loud? That’s how.
There was not attempt to keep the audio gain the same at all points in the process. It was too low at one point and much too high at another.
So while the definition above – audio that goes into a device at one level and comes out of that device at the same level, is technically correct. It might be more useful to think of it in terms of having the optimal level at every stage (each piece of equipment) in the audio chain.
If my friend had had the optimal recording level to begin with (setting his gain knob to get a good strong signal without ever distorting), then he would not have had to add any gain in the editing and production stages. The noise would have been MUCH lower, and there would have been no nasty distortion.
Things do get to be a bit more complicated with every piece of equipment added to the audio chain. In live sound, for instance, you have the microphone, the preamplifier, the mixer, any processing units (reverb, compression, EQ), etc. You don’t want any of those stages to add any more (or take away any) gain to the signal. It should be the same coming out as it was going in.
I hope that helps explain what is meant by the term “unity gain,” and why it is important for getting the best sounding audio quality.
* I use the term “loud” for the sake of being a useful term. But technically, the right word here is “gain.” The difference is that loudness is more about how a person perceives sound. Gain is about how many volts of energy there are.
Drum Recording 101
There are so many possible ways to drum recording and it could get complicated. From the space to your acoustics even to your gear, drum recording could get a little bit out of hand. Despite all these, there is hope, here some basic reminders how to record your drums.
Stick to these and you would not go wrong. Golden rule number 1: Choose the instrument according to the sound you wish to do. If it’s Jazz then it’s all Jazz nothing more nothing less.
Other aspects you need to consider are as follows:
Tuning, like any instrument yes you need to tune your drumheads.
Read more here: http://en.audiofanzine.com/recording-mixing/editorial/articles/recording-drums-introduction.html
Band Recording In A Home Studio
Recording a band is challenging in itself much more recording it in a home studio. First of all, you will be having limited space and of course the availability of your equipment, like the number of microphones and all the other gear to capture all those tracks live. But it is not impossible, here a few tips on how you can use your humble home studio to record your entire band.
Overdubbing is the answer to your problem, what is done here is recording one band member at a time then, recording over that track with the next instrument and so on and so forth.
Watch the full video here: http://therecordingrevolution.com/best-way-record-band-home-studio/