Here is an article about mixing, typically a topic more associated with music recording than voice over recording, but a fundamental topic in audio recording if you’re doing music.
However, understanding how to mix and generally play around in multitrack recording software can still be important for certain kinds of voice over jobs. For instance, I do a monthly e-learning voice over job that that has lots of phrases alternating between male and female voices (yeah, me and my wife:), with 3 seconds between them. I use the holy heck out of my mixing/multi-track recording skills to make this workflow fast and easy. For example, I put all the lady parts on one track and all the guy parts on another. Then I split the phrases on each track and color-code them (yes, blue for boys and pink for girls:)). Then I space them out with like 7 seconds between them. Then I off-set one track so I can just select all the parts on one track and drag them up to the top track so that all the parts are on one track. The colors help me make sure it’s boy-girl-boy-girl, etc. Then I simply select all the parts and tell the track I want them spaced exactly 3 seconds apart. Try doing THAT in a plain old editor:).
Anyway, check this article out, even though it’s mostly to do with music. You might learn something applicable to both music and voice over recording.
See the article here:
http://theproaudiofiles.com/mixing-where-do-i-start
Cheers!
Ken
Recording Tips and Techniques
Tips For Recording Vocals
Here’s an article about recording vocals, talking about things like how close you should get to the mic. It also talks about proximity efffect and how it can be a problem as well as a blessing. Personally when recording for voice over jobs, I like to use proximity effect (which basically says that you get a deeper, “bass-ier” sound the closer you get to certain (most) microphones) to make my audio sound a bit more intimate and immediate. But like anything else, too much of a good thing…..and all that.
Here is that article:
http://www.homestudiocorner.com/back-that-vocalist-up/
What is Unity Gain?
Here’s an item from About.com that discusses one of those “scary-sounding” terms in audio that really pretty simple. It’s all about getting the right loudness/volume of audio that will avoid distortion, but will also be strong enough to avoid a lot of noise.
Those of you interested in voice over jobs might want to pay attention here. You can create that rich radio-sounding voice (if that’s what you’re going for) by getting the best possible signal-to-noise ratio to start with.
Enjoy!
Ken
Click here to read the article: http://homerecording.about.com/od/homestudiobasics/f/unity_gain.htm
Accent on Accents: Say “Nuclear Wessels” and I Won’t Share My Vodka
Voice over recording tips – This is the third in a series of articles by Lisa Theriot on speaking in different accents, a useful skill for voice over actors.
Okay, this is a personal trauma, but I will never get over Walter Koenig as Chekhov on Star Trek saying “nuclear wessels.” Would it have killed somebody to at least introduce the man to a real Russian speaker? I know it was the Cold War, but sheesh! W is not a letter in the Russian (Cyrillic) alphabet. The sound does not occur naturally in Russian. When Russians have to represent a W sound, they either change it to a V (B in Cyrillic) or they use Y which sounds like “oo” as in “pool.” Imagine spelling “wall” as “oo-all.” Wales is “OO-ales” and Washington is “Vashington.” A Russian, of whatever century, is going to look at the word “vessel” and pronounce it vessel. Sigh.
It’s appalling in the era of YouTube that anyone attempts a Russian accent without listening to some Russians speaking English. Heck, just pick up the DVD of White Nights, which features Mikhail Baryshnikov (authentic accent) and Helen Mirren. Though Helen is a fine English lady, she was born Ilyena Vasilievna Mironoff and her accent is honestly come by. I find that if I check IMDB, anybody whose Russian accent I can’t fault after five minutes is either Russian or Eastern European, or has an immediate family member who is. A possible exception is the fabulous Timothy V. Murphy. I loveloveLOVE the Russian mobster DirecTV ads, and I was completely blown away when I found out he was Irish. I have not been able to discover if he has any Eastern European relatives (he lists Serbian as well as Russian and many others as familiar dialects on his resume), but if he doesn’t, I’m even more impressed. Oddly, there are some sounds in Gaelic that are helpfully similar to sounds in Russian, but God bless the man, he did his homework. And I soooo want a pygmy giraffe.
Pitfalls waiting to expose your Russian accent as phony include…the letter H: Like W, it doesn’t exist in Russian. Their letter is X, pronounced like the <ch> in Bach. A breathy H sound with no slight phlegmy edge will give you away. Also the letter R: Russian Rs are rolled, more heavily the later English was learned. In fact, the tongue is pretty far forward in the mouth for most consonants; the letter D is often pronounced with a slight “th” quality. Short I: My Russian teacher always said most Russians can’t tell the word “live” from the word “leave”. Eef I hear “if”, I know eet ees phony accent. Short A, as in “cat”: this sound is rare for anyone but English speakers. A Russian saying “cat” sounds like a very quick “key-ett.” Articles: They don’t really exist in Russian. If you aren’t limited to a script, saying “I have apple” is much more likely than “I have AN apple” or “I have THE apple.” “Russia” is spelled with an O in Russian, so a Russian pronounces the first syllable as in “rock” rather than “ruck.”
I admit I am not Russian. I studied Russian when I was a volunteer for American Ballet Theatre; if I ever got the chance to say “your place or mine” to Baryshnikov, I wanted to do it in Russian (yes, I had the chance, and no, I chickened out). But I fell in love with the music of the language, and I don’t like to hear people butchering it. So remember that Tolstoy, Dostoevsky and Chekhov (the real one) are spinning in their graves every time Star Trek airs, and be careful with the Mother Russian tongue. ???????.
Lisa Theriot
The Starter Home Recording Studio
A very common question out there is “what do I need for a starter home recording studio?
This is a re-post of something that get asked all the time. It is a question asked on Yahoo! Answers several months ago, though some form of it seems to be asked and answered almost daily.
How Would I Make a Starter Home Recording Studio?
Below is a very interesting post from Yahoo Answers. As usual I am perplexed by the answers some folks give to folks who are obviously just starting out.
One person’s advice was to have the guy go spend well over $1,000 to get started. What?! CRAZINESS!
At the end of this post is my answer, which should be starting to get pretty familiar by now to the readers of this blog.
Q: If I want a to make a home recording studio, what will I need as a equipment? Also, what does this equipment do (the more technical things)? What stuff can I buy that is good but that is not too expensive?
(this question does not include instruments, just equipment) so don’t worry about that.
The (Questionable) Winning Answer
A: There are a couple different ways to approach this.
1) You buy an “all-in-one” system like the Roland VS stations. They cost about $2,500 on up for anything decent. The advantage is that they have everything you need to go from a mic to making a CD. The drawback is that they are not as flexible and difficult to upgrade (as in they are the only ones who offer upgrades and you may not like what they offer).
2) Next, you buy a computer system, that offers you the most flexibility, but can be more confusing. For a computer system you need a) A computer that can handle audio recording (Pentium IV or higher with 1G of ram or higher and lots of hard drive space, preferably two hard drives) b) An audio interface in which many come with the software to record. Some suggestions are Digidesign’s Mbox2 (ProTools) or Presonus Fire series. You can really go cheap with some interfaces, but it is up to you. c) You need a mic to get sound in and speakers to get sound out.
In regard to a computer system you can spend anywhere from $1000 on up. It depends on how many inputs you need and what software you want to run. If you want separate software the is meant to be really easy to use, I suggest Mackie’s Tracktion software. They also sell audio interfaces.
Those are the basics, you may want to consider these other items:
– Pop filter
– Studio monitors
– External hard drive (firewire preferred)
– Auralex foam for a vocal booth (or just record in your tub!)
Most of all – have fun!
Here is the Home Brew Audio answer:
First of all, DON’T spend more than $100 if you’re just starting out. Wacky huh? If you are just learning you can do all you need to (by which I mean learn multi-track recording, basic audio editing, and final production) with an average computer, any mic (even the cheap plastic computer mics will do).
So if you don’t have a mic, you can get a pc mic for about $5.00. The recording software is free (Audacity). That’s all you need for the learning part. As a matter of fact, you can do quite a lot with this equipment with a little skill and guidance. But I would stop short of saying you could produce pro quality audio at this price point.
Next, what price-point must you attain to actually produce pro quality audio? Meh, I’d say about $40-$50. Oh yes, you heard right. Just moving from a $5.00 mic to, say, this USB mic: The Samson Q2U will allow you (again with the right skills) to turn out audio quality that I would call “minimum professional level.”
If you want to learn some of these skills I mention quickly, come give our video tutorials a try at: Home Brew Audio Tutorials
Cheers!
Ken