PreSonus’ two new microphones are now available for shipping. It is suitable for a wide variety of recording applications. The new PX-1 large-diaphragm cardioid condenser mic and PM-2 stereo set of matched small-diaphragm cardioid condenser microphones. Both microphones can be used together or individually, for any home or professional recording environment.
The PX-1 is a true large-diaphragm, side-address condenser microphone featuring a 1-inch (25 mm), gold-sputtered capsule designed for clarity throughout its frequency response range. While the PM-2 set comes with a stereo bar for XY mic placement. Both microphones are now available at PreSonus dealers at U.S. which retails at $129.95 for PX-1 and $129.95 for PM-2.
Read more about this here: https://www.prosoundweb.com/channels/recording/presonus-releases-px-1-and-pm-2-recording-microphones/
Live Sound
Genelec Expands “The Ones” Monitor Series With Three New Models
Genelec’s The Ones range was launched in 2014 with the introduction of the 8351A, and in 2017 it was joined by the 8331A and 8341A models. They have now expanded the line to serve a wider range of room sizes, listening distances, and SPL requirements.
The new series includes the new 8351B and 8361A coaxial 3-way monitors and the complementary W371A Adaptive Woofer System. The 8361A 3-way coaxial monitor is now the largest coaxial monitor in The Ones family. It is perfect at listening distances of up to 5 meters (about 16 feet), making it suitable for small- to medium-sized rooms.
Read more about this here: https://www.prosoundweb.com/channels/recording/genelec-expands-the-ones-monitor-series-with-three-new-models/
The new DPA 2028 Vocal Microphone promises to reproduce the “full, natural sound of the artist’s voice”
DPA Microphones’ 2028 Vocal Microphone is a model that the brand claims allows the artist’s voice to shine. It is designed for stage, broadcast and pro A/V applications. It features a supercardioid polar pattern as well as new a shock-mount, pop filter and fixed-position capsule.
With all of these, the artists are able to focus on their vocals. Hence, there’s no need for engineers to spend their time covering up sonic artefacts. The 2028 Vocal Microphone is available for $700 and it has three variants: wired XLR with handle and two wireless configurations, one with the SL1 adapter (for Shure, Sony, and Lectrosonics) and the other with the SE2 (for Sennheiser).
Read more about this here: https://www.musictech.net/news/gear/dpa-2028-vocal-microphone/
DPA Microphones Unveils New 2028 Vocal Mic
The 2028 Vocal Mic is DPA Microphones’ new addition to its microphone lineup. It is suited for live stage performances, broadcast and pro AV applications. It is available in 3 variants: a wired XLR with handle and two wireless mic configurations that are compatible with the most widely used wireless microphone systems.
On a live stage, it needs very little to no EQ to sound just like you are standing next to the singer listening to their performance. This enables the artist to sharpen their vocals, which puts less strain on the voice. With its price at $700 USD, it performs significantly better than anything else in its price range.
Read more about this here: https://www.prosoundweb.com/channels/av/dpa-microphones-unveils-new-2028-vocal-mic/
Review: Audio Technica ATH-PRO7X
When searching for DJ headphones, you need to consider the loudness, comfort, durability, and how they sound. However, these concerns depend on your preference when DJing. Do you need to monitor at high volume? Do you often use a single ear? And so on…
The ATH-PRO7X’s wouldn’t be the right choice for a DJ or performer that takes their headphones on and off during their sets. These are much more suited to being left alone. The earpads and headband are comfortable and soft. However, it’s not certain whether the material used for the padding will start to flake off after months of sweaty gigs, as many headphones tend to do.
Read more about this here: https://www.musictech.net/reviews/studio-recording-gear/audio-technica-ath-pro7x/