Want to prevent bleeds from microphones? Want to get the perfect click to cut through the mix and making it groove? Something that’s more musical than an electronic click is better to groove to. Getting the right number of clicks per bar works better if there’s emphasis on the downbeat (beat 1) than on the other beats.
You can also a little delay on to the click to avoid sounding so stiff. Try different headphones. The Sony 7506 phones provide a fairly good seal, but the Metrophones “Studio Kans,” the Vic Firth S1H1’s, or even the Race Day Electronics “Racing Headphones”
Read more about the tips here: http://bobbyowsinskiblog.com/2017/11/15/6-tips-click/
Loopmasters Dark Cinema Review By ComputerMusic Magazine
Dark Cinema is a 1.7GB pack of drum, bass, guitar, synth, FX and percussion loops put together using an array of vintage and analogue instruments and amplification that comes out edgy and raw.
According to ComputerMusic Magazine, it is “An industrial exploration of cinematic sounds”. It may come out as “cinematic” but it also features Heavy Guitars and eerie Soundscapes. Pack includes Loops, Hits, MIDI and Sampler Patches that is treated with top notched outboard FX. Industrial Cinematic is an essential tool for experimental sound composers and designers.
Read more about this here: https://www.loopmasters.com/articles/3933
Vocoder: Make Your Synth Speak And Sing
The vocoder relies on two different two different types of sonic inputs. The “carrier wave” could be a clean analog sawtooth wave; a highly-processed, distorted, digital concoction but it’s generally a normal synth sound you trigger by playing notes on a keyboard.The second element is the “modulator”. The microphone is plugged into the vocoder which allows you to play a synthesizer with your fingers and have it sound like it’s speaking or singing.
There are some really good, accessible vocoders out there, so it’s easy to give one a try,” says New York producer and multi-instrumentalist Justin Goldner. He recommends the Korg microKORG and microKORG XL synthesizers, both of which have built-in vocoders.
Read more about this here: http://blog.discmakers.com/2017/11/meet-the-vocoder/
Everything You Need To Know About Tape Machine Plugins
Tape machines impart a unique combination of equalization, compression and saturation to audio signals. Gone are the days when engineers have to use a pair of scissors and a tape to make cuts. Nowadays, engineers have keyboard shortcuts for making edits, crossfading and even quantizing.
The tape machines themselves aren’t the only variable in this equation. The type of tape you use has affects the type of sound that you will eventually make. Tapes have different frequency response, compression, and distortion characteristics that have less noise saturation. The best part about tape machine plug ins is that they offer the luxuries of both modern and analog recorders.
Read more about this here: https://theproaudiofiles.com/tape-machine-plugins/
Long Song Fade Out
Although we don’t hear them in music as often as before, long song fade outs can still be appropriate. They’re super easy to do in any DAW. In Reaper, try doing it using automation on the Master Track Volume.
Find out how to do that in the article here: https://reaperblog.net/2017/11/long-fade-out/