Universal Audio has been known to do reviews for ranging from excellent amplifier simulators by known makers in the industry, this time, their very own Mark Cousins has made a review of Fender ’55 Tweed Deluxe developed by Universal Audio itself.
The Fender’55 Tweed Deluxe has roots going back 1955 with the release of the classic 5E3. True to its roots the ’55 was created t respond to your playing using simple sets of controls. The Fender ’55 Tweed Deluxe is all about tone not much on FX pedals thus producing truly great guitar sound.
The Fender ’55 Tweed Deluxe is so dynamic and responsive guitar players and producers alike are having fond using it.
Read more here: http://www.musictech.net/2016/10/ua-fender-tweed-deluxe/
LYD 7 The Rebirth By Dynaudio
Some manufacturers have been lacking innovation lately with regards to speaker designs. One example of a manufacturer in this category is Dynaudio. Although showing strength in their products, their lack of innovation has seemed to suppress their growth. Until now.
However, out to prove us wrong the Danish manufacturer during the last Musikmesse decided to present a rebirth of their former BM series and announced the release of the LYD. And yes its white.
Resembling the old BM mkIII which the LYD had a good foundation for its construction. But familiar looks aside, Dynaudio has created something entirely new with the LYD 7.
Audiofanzine compared this new speaker in a number of tests with the ADAM A7X, which is similar in that like the LYD, it is a nearfield monitor with a 7″ woofer and sells for a similar price.
You can find out more here: http://en.audiofanzine.com/active-monitor/dynaudio/lyd-7/editorial/reviews/back-in-white.html
MusicTech Talks To sE Electronics
Following a series of interviews made by MusicTech magazine giving depth to the gear we use daily, the magazine recently had a talk with the founder and branch manager of sE electronics. sE electronics a well-renowned brand when it comes to recording gear.
Siwei Zou, sE electronics founder discussed with MusicTech magazine how it all began. A graduate of audio engineering he discusses the opportunity of being able to move to the US to pursue his studies where he found the opportunity to create sE electronics. Zou’s original goal was to manufacture good quality yet reasonably priced microphones from there everything was history.
Read more here: http://www.musictech.net/2016/10/se-electronics-interview/
Say No To Muddy Mixes, Here's How
Having problems with your mixes? You can bring life to your lifeless mix with these tips and it won’t cost you a $500 plug-in. Everything you need is already with you, and it’s right under your noses. Yes, it’s already in your digital audio workstation (DAW).
I believe the keyword here is understanding, knowing what you already have and working from there. Proper usage of EQ and compressors are vital to achieving the proper mix.
When you do start to explore your EQ you fill know the sounds you are actually looking for, instead of just sweeping around your EQ learn to dig and find that perfect sound.
Read more here: http://www.audio-issues.com/music-mixing/are-you-sick-and-tired-of-muddy-mixes-that-sound-squashed-to-death-washed-out-and-lifeless/
Top 6 Orchestral Software
I memory of a great musician Keith Gemmell MusicTech has come up with 6 of the best orchestral software available in the market today. Keith Gemmell who had a long battle with cancer was one of Music Tech’s longest-serving writer. Known for being in various bands in the 60’s touring with non-other that Led Zepppelin to name a few.
Having been known to play the flute, saxophone and other instruments of the same and an avid follower of
orchestra
Here is the top 6 orchestral software.
Best Delicate Phrasing – Sonokinetic Sotto concentrating on the softer part of the orchestra like strings, winds and brass Sotto has created a source of inspiration.
Read more here: http://www.musictech.net/2016/09/best-orchestral-software/