Probably the most important track when it comes to drum recording are the overheads, or simply capturing the sounds of the cymbals as well as the stereo image of the whole kit. But the overheads have more to offer than this, they are also responsible mainly for the “natural” reproduction of the recording and is crucial to the overall sensation of power. Depending on how far you position the microphone, the closer it is the more attack you will capture although it may sound “tiny”, or you can provide more “air” or space between and create a much more powerful sound.
Read more here: http://en.audiofanzine.com/recording-mixing/editorial/articles/recording-drums-overheads-and-the-ortf-technique.html
Realistic Sounding MIDI Strings; Here's How
Wouldn’t it be nice if we could have a handy symphony orchestra to play when we want where we want? Especially if you want to add them to your mix or your song. Unfortunately, our best option is string library now while there are plenty of choices out there but sometimes they just can’t provide you with that “X” factor you are looking for. Let’s just call it the “Human Touch”
As much as it is impossible to recreate such here are a few tips on how you can come close to one.
Meet the Strings – don’t be confined to the idea “I’m just using a MIDI”
Read more here: https://theproaudiofiles.com/5-tips-realistic-sounding-midi-strings/
The Making Of Sound Effect Tools By Cinetools
Cinetools will soon be releasing a new series of modern sound effects tools and palettes more specifically for the use of filmmakers. Cinetools is well known for designing unique sound effect for the film industry. From it first collection called “Otherworlds” creating that dark mysterious effects bringing color to productions with over 750 cinematic FX and audio beds of nonstop creation.
In this video, Cinetool lets us in on a sneak preview of what’s in store next for their upcoming release of Sound Effect Tools. Watch how they bring the character of every sound captured in this video.
Watch here: http://www.loopmasters.com/articles/3778
Drum Recording 101
There are so many possible ways to drum recording and it could get complicated. From the space to your acoustics even to your gear, drum recording could get a little bit out of hand. Despite all these, there is hope, here some basic reminders how to record your drums.
Stick to these and you would not go wrong. Golden rule number 1: Choose the instrument according to the sound you wish to do. If it’s Jazz then it’s all Jazz nothing more nothing less.
Other aspects you need to consider are as follows:
Tuning, like any instrument yes you need to tune your drumheads.
Read more here: http://en.audiofanzine.com/recording-mixing/editorial/articles/recording-drums-introduction.html
Riviera By NuSpace Audio
NuSpace Audio has recently released a freeware “hybrid” reverb, called the Riviera. This reverb effect is available in VST2 and VST3 plugin formats Windows base DAW.
It is interesting how Riviera is referred to as “hybrid” in common terms a mixture, simply because it utilizes both reverberation and convolution to make its reflections. Although this is not the first of its kind and it’s only available for Windows it is promisingly powerful and fully customizable without taking much from your CPU load.
The developer of this plugin named its main parameter as VOOM short for Volume plus Room and promises to generate unique spaces.
Read more here: http://bedroomproducersblog.com/2017/02/13/nuspace-audio-riviera/