There is a new software from iZotope called Dialogue Match. It is a tool designed to automatically learn and match the sonic character of a source dialogue recording – such as the reverb/atmospheric sound, EQ, etc. Then it applies those characteristics to a new vocal recording so that they sound like they were recorded in the same session. This is an incredible time-saver for long recording projects that take place in different locations, perhaps with different mics, different angles and distance from the mic, etc. It’s also obviously a great tool for ADR – the practice of replacing or adding dialogue for film after the fact in the studio.
iZotope merged it with their machine learning with reverb technology from the Exponential Audio product line.
This software would significantly reduce the time in the post-work process. Moreover, to learn and match the tonal and spectral characteristics of dialogue, they added an EQ Module leverages which is the EQ matching mechanics of iZotope’s Ozone 9. It is available in different bundles but as a stand-alone AudioSuite plugin, it retails for $599 (U.S. MSRP).
Read more about this here: https://www.prosoundweb.com/izotope-launches-new-dialogue-match-tool-for-audio-post-production/
KRK Systems Debuts Classic 5 Studio Monitors
KRK Systems released the Classic 5 Professional bi-amp studio monitors to add to its professional-grade monitor line. Their new line of monitors has a bi-amped Class A/B amplifier with built-in automatic limiters and low-resonance enclosures. The company is geared towards designs that allow users the freedom to create the most accurate and pristine productions in whatever environment they are working in.
The KRK’s Classic 5 is a versatile powered nearfield studio monitor that is perfect for any genre. Since it has high- and low-frequency controls, users can adjust the monitor’s sound to their environment and preference, adding versatility and improved accuracy for mixes that translate in any setting.
Read more about this here: https://www.prosoundweb.com/krk-systems-debuts-classic-5-studio-monitors/
Arturia AudioFuse 8PRE audio interface review
More than 2 years ago, Arturia first entered the world of audio interfaces. More recently at NAMM 2019, the Grenoble-based company announced two new models, one of which the AudioFuse 8Pre which retails at 699€.
On the front plate, there are 8 encoders that control the gain of the 8 analog inputs available. These can accommodate mic level and line-level inputs using the connectors that combine XLR and jack TRS. While the two inputs on the front can also accommodate instrument-level signals like the ones generated by electric guitar and bass.
Read more about this here: https://en.audiofanzine.com/usb-interface/arturia/audiofuse-8pre/editorial/reviews/arturia-audiofuse-8pre-audio-interface-review.html
Adobe's Project Awesome Audio cleans up recordings with a single click
It would be very helpful if you could clean up janky audio recordings in Adobe Audition with a single click. Well, that’s what Adobe has done with Project Audio Awesome. It’s easy to see how this could be a massively useful feature inside Adobe Audition, but there’s no guarantee this tool will make it to the desktop app.
This is doable and there are many audio apps that allow you to fix common issues like noise, microphone artifacts and other things that don’t sound good, but those edits can be time-consuming. As a remedy, Jin and Su created a one-click solution that doesn’t merely reduce the degradation, but it extracts the speech from the audio clip.
Read more about this here: https://www.engadget.com/2019/11/05/adobe-project-awesome-audio-one-click-audio-editing/
Demystifying Logic Pro X’s Plug-In Settings, Channel Strip Settings & Patches
There are several ways to recall and save factory and user settings for both Logic Pro X’s individual plug-ins and entire channel strips. There are three levels of preset organization, and primarily using the top-level approach—as Apple intends—is fairly straightforward.
Honestly, patches may have a little more of a learning curve. However, they provide the most flexible and powerful options for preset management in Logic. Furthermore, the plug-in settings are still the best way to manage individual plug-in tweaks, and channel strip settings are the most straightforward way to load instruments and effects without potentially affecting other mix settings.
Read more about this here: https://www.macprovideo.com/article/logic-pro/demystifying-logic-pro-x-s-plug-in-settings-channel-strip-settings-patches