The distance between your monitors is important when you’re mixing. If they aren’t the right distance apart you are likely to have problems getting your levels right.
If the monitors are too far apart then sounds panned to the sides will sound louder (and sounds in the center quieter) and conversely if the monitors are too […]
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Echo Audiofire 4 Audio Interface
This is from an article by Jonny Caine, from the website Home Studio Essentials.
After doing a ton of research (reading lots of reviews mostly) I’ve decided on the firewire/1394 based Echo Audiofire 4 Audio Interface to replace my E-MU 1616M which I had for about a year and half.
The E-MU1616M started causing random glitches & pops and I couldn’t find anyway to stop them. During my search around the internet for a solution to this problem I found that it’s a common issue. So I would probably not recommend it to you, although I was reasonably happy with it before the problem began.
Read the original article here.
Cheers,
Jake
What home recording systems for vinyl records did people have in the 1960s?
More Q&A stuff from the interwebs on home recording. I don’t completely agree with the person who answered this question. My thoughts follow below.
Q: What home recording systems did they have in the 1960s for recording vinyl records? How did they record Vinyl records at home? Was this a common?
A: actually most people didn’t do much in the way of home recording. If we needed to record something it was on reel to reel tape. You had to go into a professional recording studio to have a record recorded.
To add the above answer, it really must be said that though home recording was MUCH less common, it did exist. But those folks weren’t recording directly to vinyl. Tape recorders were the order of the day. As a matter of fact by the 1960s, they were all the rage. One great example was Ross Bagdasarian, Sr. In 1958 the actor and song-writer was down to his last $200. He spent most of that on a V-M tape recorder, which allowed him to vary recording and playback speeds. This home recording project gave birth to Alvin and the Chipmunks, and the rest is history. Ross Bagdasarian was also responsible for the hit, My Friend the Witchdoctor.
So even before the 1960s it was possible to do home recording, but the medium was tape, not vinyl.
Are You a Gleek? Want To Get That "Glee" Sound?
Are you a “gleek?” (if you have been hiding for the past year, a “gleek” is someone who is a fan of the show Glee). I confess that I definitely am. I love music, recording, singing harmony, and ….well, OK, not high school. What a horror show-except for the music! Choir, musicals, my rock bands, singing Beach Boys and Asia harmonies at Carl’s Junior with my friends–THOSE were the things I loved about high school. And that is what Glee is mostly about. Plus there’s the hilarious Jane Lynch as Sue Sylvester to keep the show from sliding into a pool of syrupy glurge.
But I digress. Have you noticed anything odd about how all the singers sound on that show? The cast members were selected because they could really sing (apart from looking the part and acting and all that too). But when they produce the musical numbers, the voices sound a bit artificial don’t you think? Every note is perfect–maybe too perfect. It sounds kind of, well, computer-y to some folks. Love it or hate it, this is down to the popularity of an audio processor called Auto-Tune, and its ilk. And it pretty much defines what I am calling the “Glee sound.” and you can have it too, if you want to.
Antares Auto-Tune Vocal Studio Pitch Correcting Software is an awesome tool that can really help in the studio, though like anything else, it can definitely be over-used, and frequently is. The program has two modes that can be used to treat a vocal track, the auto mode and the graphical mode. In auto mode, all the singer’s notes are run through Auto-Tune’s processor and corrected automatically. The entire track gets washed through a filter that snaps the vocal track’s pitch to a musical grid similar to the way a graphics program snaps shapes to a visual grid. The auto mode is much faster to use. You basically just flip a switch. But when you wash an entire vocal track through the processor, you usually get a somewhat artificial and computer-y sounding product.
The graphical mode is like having the “snap-to-grid” option turned off in a graphics program. It may take longer to get certain things lined up, but at least you can put everything exactly where you want it. You can SEE the grid in graphical mode, but you choose which notes to correct and which ones to leave alone by dragging the pitch curve from the recorded voice closer to a grid line. You also have several choices as to how intense the corrections you make should be. Generally the smaller and less extreme the correction (just bumping an off-note a bit closer to the target pitch, say) the more natural it sounds. This mode is much more hands-on and takes a bit longer. But it can result in a much more natural sounding product.
If you would like to have that “Glee sound,” all you need to do is add the Auto-Tune plug-in to your pc recording studio software. Don’t have your PC recording studio set up yet? No problem. You can do that in about 30 minutes by following the instructions in the free tutorials at Home Brew Audio, which you can access by clicking right here.
From one Gleek to another…happy recording!
Blue Snowflake USB Microphone
The Blue Snowflake USB mic is a pretty darned amazing microphone. And it’s really compact and, dare I say it? – cute. I would never have considered recommending a mic under $100 for professional sounding audio 5 years ago. But now – well the recording landscape is wide open with professional level mics for 50 or 60 bucks. Check it out!
For more on home recording microphones, see the following posts:
Voice Over Recording With a USB Mic and
Good Recordings On a Budget