Auto-Tune was the engine that provided the novel, provocative, other-worldly vocal effect that made listeners sit up and take notice. Over the years, it has evolved into Auto-Tune Pro, which offers multiple options for processing beyond simple pitch correction.
Pitch correction software has gotten a bad rap from those who don’t understand how it works. But it’s simply another tool in the toolbox. Think of it like a hammer: you can use a hammer to smash things or to build a house. If you’re more into building than smashing, there’s a lot to like about pitch correction.
Read more about this here: https://www.sweetwater.com/insync/praise-pitch-correction/
Archives for January 2019
EQ Tips: When to Boost and When to Cut
Sound enhancement and modification using software like Neutron 2 and Nectar 3 in audio mixing using corrective equalization techniques, such as by either cutting frequencies or boosting them, are decisions that Engineers face throughout production. Although there is common knowledge where it is more advantageous to cut frequencies versus boost them, there are situations that are based on common parameters such as the Frequency being manipulated, the amount of said frequency that is to be augmented or subtracted from the signal or the Gain and the form of the frequency curve, its steepness and width. Signal issues stemming from rumble, bleed, resonances and other unwanted frequencies can be corrected by the elimination of the troublesome frequency, but another method would be to boost first. Doing this allows an Engineer to better isolate those signals that need to be enhanced. Using the Learn feature in Neutron’s EQ allows for enhanced indication on problem areas. Boosting also can modify tonal shapes, by using the Tonal Balance Control tool. This tool will allow for a visual representation of the frequency and allows the Engineer to track problems live. Other features that can be found within both the Neutron 2 and Nectar 3 software includes Track Assistant and Vocal Assistant tools, which offer the ability to make edits that will provide even greater control and flexibility to Engineers.
Key Takeaways:
- Many engineers think that it’s better to cut than to boost especially when one is involved in mixing audio.
- Equalization is found to be a very simple tool that a sound engineer will have in his toolkit. It controls the frequencies in audio signals.
- Although EQ is simple to handle, it takes a lot of practice to master and the three main aspects to master are three controls: Frequency, Gain and Q.
“Lots of other engineers seem to boost all the time, and if we really weren’t supposed to, EQ consoles wouldn’t include the option in the first place.”
Read more: https://www.izotope.com/en/blog/mixing/eq-tips-when-to-boost-when-to-cut.html
RØDE Microphones Launches All-New PodMic, Podcast-Ready Dynamic Microphone
Australian pro audio giant RØDE Microphones has launched the all-new PodMic. It’s an XLR-connected, end-address dynamic microphone tailor-made for use with the RØDECaster™ Pro Podcast Production Studio and PSA1 studio arm. Stylish and easy to manoeuvre, the PodMic is perfect for podcasting.
It has a richly-detailed RØDE dynamic capsule. There’s an integrated swing-mount for easy positioning. Works perfectly with boom microphone stands such as the RØDE PSA1. The PodMic is specifically tuned for use with the RØDECaster Pro but will deliver impeccable results with any XLR interface. It’s perfect for anyone in podcasting or broadcasting looking for a professional-quality microphone.
Read more about this here: https://ask.audio/articles/rde-microphones-launches-allnew-podmic-podcastready-dynamic-microphone
A Guide to Making Music for Free
Whatever type of music you are making, and however you make it, your hobby need not cost you a fortune. The world of freeware is booming and you’ve come to the right place for your free music making. There are thousands of free music making apps and ’freeware’ software titles out there.
With desktop music production, a freeware refers to complete pieces of software that do a job without restrictions on saving as you usually find on demo software. They are usually produced by a thriving community of developers who are keen musicians and experienced software producers.
Read more about this here: https://www.musictech.net/2018/12/a-guide-to-making-music-for-free/