Archives for August 2018

Sonnox has unveiled their new product called VoxDoubler. The two brand new plug ins called Widen and Thicken hope to help audio technicians save valuable time in the recording studio. So you are probably wondering, how do they work? Widen produces a couple of mono copies of a recording original which can be duplicated anywhere ranging from mono all the way to hard-panned directions. Meanwhile, the Thicken plug in produces a solo stereo voice which allows the users to pan in either direction

Key Takeaways:

• Sonnox’s two new plugins hope to save you time in the recording studio.
• Widen produces two mono duplications of an original recording that can be placed anywhere.
• Thicken produces a singular stereo voice that lets a user pan channels.

“Straight off the bat, the clear, resizable GUIs are easy to use, with six main dials that are explained via a useful Quick Guide that can be recalled at any time.”

Read more: http://www.musictech.net/2018/07/sonnox-voxdoubler-review/

M-Audio’s Uber Mic works with any USB-enabled device with Logic and makes crisp, clear recordings, especially on cardioid and stereo polar patterns. The Uber Mic itself is a solid, sturdy thing with a built-in display, works easily with any other USB-capable electronics, and at £99 it makes a good, versatile, general-purpose mic for people who want something they can use for a broad variety of applications. Its most formidable competition comes from Blue’s family of microphones.

Key Takeaways:

• This mic contains a three capsule microphone that is compatible with all USB ports.
• The max SPL of the M-Audio is 120dB, while the sensitivity rests at a solid -45dB.
• You can control the mixing and volume levels just by interacting through the USB alone.

“Around the front you have the mic input level rotary and pattern selector while headphone gain and USB mic mixer are on the other side. The display shows the headphone and mic input levels plus a graphic of the pattern selected.”

Read more: http://www.musictech.net/2018/06/m-audio-uber-mic-review/

When you are shopping for a compressor, there are many different kinds of models and brands from which to choose. Keep in mind also that they all have different layouts with various options. When analyzing compressor controls, one should analyze all of its parts, like Ratio, Threshold, Raelease, Attack, and Makeup Gain. In regard to choosing compressors with minimalistic qualities, pat close attention to Threshold and Makeup Gain. Program-dependent response adjusts to the input signal. However, with some project you do need a complete set of controls.

Key Takeaways:

• Determining compression and automatic gain reduction are two ways that mainstream compressors can help.
• After a threshold is met, the compressor should reduce gain immediately as an automatic response.
• The time at which the gain reduction will kick in varies from one compressor to the next.

“When choosing from the many brands and models of compressors—both hardware and software—one of the first things any intrepid user is likely to notice is the significant difference in layouts among the many options out there. Some models have a bare minimum of controls—just a couple of knobs to get the job done; others are chock-full of controls and bells & whistles.”

Read more: https://ask.audio/articles/why-some-compressors-dont-need-lots-of-controls

Your music needs to be held together by a solid bass end. Combining proper cement and attaining the right insertion of steel joists can result in a spectacular sound. Compressions irons out a shaky bassline. Make sure that your drum and bass are not conflicting. Filter the bass in the proper way. Combine Layer basses and kicks for a great sound. Adjust the EQ to achieve a great effect. Finally, learn how to achieve the proper programming.

Key Takeaways:

• For a better bass, getting your compression right is key. It evens your bass and controls how your volume operates.
• Make sure your drums and bass do not clash because they operate on the similar frequencies. Analyzing your EQ will help do this.
• Applying filtering is meant to be fun. You might either get a slow rate with great dubstep or a fast rate with big note variations.

“The bass end of your mix is the very backbone of music. It holds everything together like a building’s foundation – if you mix your cement correctly and have your steel joists inserted then your musical house will sound extraordinary.”

Read more: http://www.musictech.net/2018/06/6-ways-improve-your-bass/