Archives for June 2018

The AT5047, large-diaphragm condenser mic, put out by Audio-Technica, breaks the expected mold. For one thing, it's hand-crafted. Then there's the interior capsules. They're square. While not so unusual that it hasn't been done before, this mic continues to break anticipated precedents in so far as amount goes. Rather than the usual, singular capsule, enclosed within the nest of the mic's grille, this mic has four rectangular capsules, although of a size roughly similar to the single one found in most mics of its sort.
A rectangular capsule differs from a circular in shape and in sound. Because the height and width of a square capsule is not uniform, as with a circle, the frequency gets split, and the resultant tone is more natural.There is a generally tendency to be less prone to off-axis sounds with this type of mic, a trait that is magnified in this four capsule version. For simole, neutral mic action, that aims to capture the instrument's tone, without any hyping, it's hard to get a better, more sensitive mic.

Key Takeaways:

• Interested in a unique and powerful mic? This model has exactly what you're looking for.
• The key to the unique design is the configuration of four capsules inside a compact, rectangular package.
• This allows the microphone to have a higher level of performance over a broader range than a less sophisticated design.

“By splitting the resonant energy across two frequencies rather than one, the output of a rectangular capsule can be perceived as flatter and more natural than a circular capsule.”

Read more: http://www.musictech.net/2018/03/audio-technica-at5047-review/

Your drums generally utilize the most mics in a production scenario. So, it stands to reason, that of the possible phase problems you encounter, more of them will involve drums. Getting all of your mics in phase would require an alignment of the stars that is near impossible, but problems can be mitigated.
You may or may not need to reverse the polarity on some channels. You should use the phase switch and listen to a recording of the drumming, using the overhead. Listen for weak sounds that may be improved by mic positioning. Check the polarity on the drum kick, as you want a full-bodied sound. Use the phase switch to decide whether the snare mic sounds better inverted, or otherwise. Go through every mic, without rushing, and you should eliminate most all of your drum phase issues.

Key Takeaways:

• Because your drums generally have more mics on them any other instrument, phase problems often center around the drum phase.
• Listen for weak, or swishy sounds, that suggest a positional change of mic is warranted, by listening to your drummer in stereo and mono, using the overheads.
• Listen to the drumming, using every mic, checking for the fullest sound, because that is the sound you want.

“Record a sample of the drummer playing, then listen to the overhead panned in stereo, then listen to them in mono by panning them both to the center.”

Read more: https://www.prosoundweb.com/channels/recording/in-the-studio-checking-drum-phase-by-using-your-ears/

When it comes to producing music, one of the most highly overlooked concept that can make or break and be the difference between a great song and one that is simply mediocre, is the implementation of mixing and mastering once the initial production is finished. For those looking to get the most out of their tracks, it is absolutely crucial to implement tricks and tips to master and mix songs effectively so they can provide the desired feel when finished.

Key Takeaways:

• No matter how tempting it is to play with plugins, you should forego the pleasure until you have a totally viable track to work on.
• A few tweaks in solo might make sense, but keep in mind an instrument solo sounds totally distinct from how it sounds in concert with everything else.
• Dueling Mixes is an on!ine available tool, to enable better mixing, that allows users a two week free trial.

“There are a million things to remember when it comes to mixing your song after it’s recorded, but here are my top two tips, what I consider the two most important things to get right.”

Read more: http://www.homestudiocorner.com/my-top-2-mixing-tips/

In recent years, one of the most widely disrupted industries that has been shaken up by the onset and advancement of digital technology is that of the music production industry, as software and technology have allowed for streamlined processes. One of the most crucial pieces of equipment is that of the mixer and interface, which company Soundcraft is aiming to innovate with their latest release that provides producers with an endless array of features and capabilities.

Key Takeaways:

• The U2k4R has in its array of inherent goodies, 2 channels of DigiTech guitar-amp modelling.
• The U2k4R is solid, without being overly weighty, and it has a 4U rackmount design, which is readily user-friendly.
• The box of this tool behaves as a Wi-Fi router, allowing for the connection of up to ten distinct devices and therefore lots of studio, or on-tour, options.

“Mixers can be interfaces, interfaces can be mixers. Then along comes Soundcraft with this, the Ui24R, and throws a multi-track recorder into the mix (er and interface).”

Read more: http://www.musictech.net/2018/03/soundcraft-ui24r-review/