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Archives for December 2017

TBProAudio Releases Free ISOL8 Monitoring Utility VST/AU Plugin – Bedroom Producers Blog

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TBProAudio Releases Free ISOL8 Monitoring Utility VST/AU Plugin – Bedroom Producers Blog

Similar in functionality to already available multi-compressor units, the ISOL8, has superior tweaking and precision monitoring capabilities, thanks to some fresh crossover design. PC and Mac audio workstation users can access and download the plug-in at no cost from the developer's website. Testing on a fourth generation model found that the CPU units used by this add on were within acceptable levels. The download site does not require a sign-up and unless you are acting outside a default VST plug-in directory ( in which case the EXE installer may provide a hiccup) all should proceed swimmingly.

Key Takeaways:

  • TBPpro has just introduced a new tool, called ISOL8, which can be utilized by both PC and Mac audio studio mixers.
  • The tool has the ability to split an incoming frequencies into five distinct bands, which can be individually tweaked with muting and solo-creating functions.
  • The interface for the plug-in was designed by Crimson Merry, who is responsible for a prior plug-in bundle mentioned on The Bedroom Producers Blog.

“The plugin is available for direct free download from the developer’s website, no signup required. It comes as an EXE installer which is a tiny bit cumbersome to use if you’re installing your plugins outside of the default VST plugin directory.”

Read more: https://bedroomproducersblog.com/2017/12/06/tbproaudio-isol8/

Recording bass guitar – With or without effects?

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Recording bass guitar – With or without effects?

People that are going to use extra sound effects when recording a bass guitar are going to continue to do so no matter what the rest of the world might think of it.
You are seeing a lot of people sing coding, and working behind a computer when it comes to the recording studio. The recording of a bass is no different in this case. The idea of using coding or a strange sounding board may scare some traditionalists, but other bass players like Flea are likely to embrace the idea.

Key Takeaways:

  • Adding in sound effects to bass guitar recordings can really add to the overall sound of the final product, however, they can be a problem for the audio engineer or music producer.
  • The quality of the effects can vary considerably with lots of hums and background noise, making the actual mixing session a nightmare.
  • To avoid any problems, record the bass amp and signal from the instrument directly, which will give you a “clean” track.

“as cool as they can be, these effects can become a real headache for the music producer and/or the audio engineer.”

Read more: https://en.audiofanzine.com/recording-mixing/editorial/articles/recording-bass-guitar-with-or-without-effects.html

Qu-Bit Electronix Pulsar – Unique And Desirable

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The latest module from Qu-Bit Electronix, Pulsar offers a 4-way unique output burst generator, an 8 dispersion modes and is clockable internally and externally. Eight unique dispersion modes provide a range of stream types, including Euclidean, binary, random, and fractal.
The four main outputs essentially emit gate triggers occurring with each illuminated point on the LED circle. The LEDs also change in color, according to the selected channel.
If you like rhythmic triggering and feel that your modular is a little too metronomic, this is worth a look.
Read more about this here: www.musictech.net/2017/12/qu-bit-electronix-pulsar-review/

How To Build A Home Recording Studio On A Budget

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budget home recording studio picToday we have a guest post from Jonathan Biran of Catz Audio about one of my favorite topics – putting together a home recording studio without spending a fortune. I have given some advice on that once or twice :-P. See our ebook/video “How To Build A Home Recording Studio.”
Jonathan approached me with an infographic on the subject a few days ago and I loved it. He offered to share it (see the bottom of the page), and a post to go with it, here. So here it is. One note before you read on – Jonathan wrote with recording musicians in mind. If you primarily record voice overs (podcasts, video narrations, audio books, or work in the VO industry), certain things may not apply.
Thanks Jonathan!

Jonathan’s Post

The thought of building a recording studio is daunting. Acoustic treatment, boutique audio equipment, microphones, instruments… these tools ARE NOT by any means cheap.

So what is one to do?

Should the aspiring producer drop over a thousand dollars to get started? Is the musician destined to record his or her demos at an expensive studio?
Fortunately, this isn’t the case! The digital age is on our side. Computers can now fit in our pockets, answers to mind-numbing questions can be found in seconds on the internet, and recording studios can be carried in a backpack! It’s never been easier to jump into the realm of recording and audio.
You’ll find many opinions concerning home recording on the interwebs. Some individuals have incredible things to say, while others spread misinformation.
This short post covers the bare necessities of the modern home recording setup. We simply cover what one needs to properly record and mix a demo or full-scale track. Before you read on, remember that the cheapest option is not always the best option; neither is the most expensive option…
The trick is finding a middle ground. For now, let’s be as frugal as possible – covering the best gear for the cheapest price.

What You Need

To properly record, edit, and mix a track, you’ll need to get your hands on an interface, DAW, microphone, monitoring source, some accessories and a decent laptop. This is the bare minimum of what you need.

The interface

Think of an interface as being a translator. Inside of most interfaces is both an analog to digital converter (A/D) and a digital to analog converter (D/A). The A/D converter basically takes the electric signal from a line or mic input, and it converts it to digital bits and samples that a computer can understand. It then reads back those digital samples via the D/A converter so that you can hear the signal from the monitor outputs.
For a starter interface, get something that has at least 2 mic/line inputs, headphone out(s), and monitor outs. Firewire, thunderbolt, or usb 3.0 connectivity should work well.
[Ken here again. One example of what Jonathan means is what I use – a Focusrite Scarlett 2i2.

The DAW (software)

The DAW, or digital audio workstation, works in tandem with your interface. It’s a piece of software that captures what comes into the interface. Think of your DAW as the command center.
A DAW allows you to easily record, edit, mix, and master audio files. The alternative to a DAW is vinyl and tape – these mediums are seldom used nowadays.
[Another note from Ken – My DAW of choice is called Reaper and is amazingly capable with an equally amazing price tag. Check it out here http://reaper.fm. Also, if you are recording primarily voice over stuff, you might not need a “DAW.” You might well be able to do everything you need with a simple audio recording and editing program like Audacity, which is free ;-)]

The Microphone

There are a few categories of microphones. One of the cheaper options is a dynamic microphone (cheap DOES NOT mean “bad” in this case – dynamic mics are fantastic tools).
Shure SM57s are a good pick, as they are durable and great sounding.
[Ken here – though dynamic mics have their place and are great tools, if you want to do intimate vocal recording, you might consider starting off with a large diaphragm condenser mic instead. See my post What Are The Different Types of Microphones? for more on that]

The Monitoring Source

Your monitors are your map and compass. Skimping on monitors isn’t recommended – your monitors will guide you and provide a solid reference.
It’s always recommended to mix on more than one monitor source. Try using both monitors AND headphones/in-ear monitors.
See the infographic for some good choices!

The accessories

Necessary accessories are provided in the infographic. The more accessories you have access to, the more tools you have at your disposal!
The home recording studio should aid you in your production quest. Everyone has a different opinion, so experiment and seek out the tools that fit your style. Find a setup that feels right, and get cracking on your next hit!
[Ken here again – if you are primarily a voice over person (podcasts, narrating videos or actually working in the voice over world), your needs will be different – probably won’t need as much stuff]

The Infographic

Ken here. So what about this infographic we keep talking about? Here is it below:
Please include attribution to catzaudio.com with this graphic.
building a home studio on a budget infographic
 

TBProAudio Releases Free ISOL8 Monitoring Utility VST/AU Plugin

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ISOL8 is a freeware mix monitoring tool that is designed for monitoring different frequency regions. It is released by TBProAudio and can be used in VST, VST3, AU, AAX, and RTAS plugin formats.
It also features a filter bypass switch, monitoring channel adjustments (solo buttons for the Left, Right, Mid, and Side channels), an output volume control, and an attenuation switch.  It claims to more streamlined than a multi-band compressor as it allows precise monitoring of the mix.
Good news is that it is free to download and does not require a sign up from the developers website.
Read more about this here: https://bedroomproducersblog.com/2017/12/06/tbproaudio-isol8/