With all the details that go into vocal recording, your sound engineer may give you a lot of tips but here are some things you definitely should avoid if you want that perfect vocal recording that you dream of. These details are often overlooked and might just be what’s between you and your best recording.
Don’t just brush off those bad acoustics regardless of your studio condition. While it is understandable if you have a home studio and is working on a budget that you will have these issues but there should be a tolerable limit for you ignoring these things.
Read more here: https://www.sweetwater.com/insync/5-vocal-recording-mistakes/
Archives for May 2017
6 Microphones Best For Studio Tasks
Here is the latest list of microphones for the specifics of studio tasks, and of course like any sound engineer there is always the budget consideration.
Aston Spirit, the best all around microphone first. First known for their Origin microphone, Aston released the Spirit having Aston’s unique signature look but having a large diaphragm condenser that works well in a variety of instruments and in just about anything else. It matched and even outlasted some of the well known and expensive brands.
SHURE KSM8, the choice for vocals. a Dualdyne microphone that aims to outperform its predecessor Shure’s classic SM58
Read more here: http://www.musictech.net/2017/05/6-of-the-best-microphones/
5 Vocal Recording Mistakes You May Be Making – inSync
People use vocal recording for many different things. They may be making ads for their business to play on the radio or the internet. People could be doing music, audio books or other things for sale or just for entertainment. There are some common mistakes made, though, which can make your recording less successful. If you are aware of such mistakes you can keep yourself from making them and the your recording will be better.
Key Takeaways:
- Transmitting the thunder of activity into the sort of profound vibration even a top-quality shockmount can’t shut out.
- Thick covering can frequently do the trap, however you may need to record at off-prime hours to maintain a strategic distance from truck activity.
- The most serious issue with following while at the same time utilizing processors and warm preamps is that you need to focus on that one sound.
“Most engineers recognize the importance of preventing mic bleed and broadband noise, but they often overlook the need to block out low-frequency noise.”
Read more: https://www.sweetwater.com/insync/5-vocal-recording-mistakes/
Pico System 1 By Erica Synths
When you think about a Eurorack modular there are just so many details you have to consider that you would ask yourself where do I begin? Just thinking about the power, the cases, even your first module. Today Erica Synths have created the perfect solution to help you keep going without having to think too much. The Pico System 1, all the things you need to consider wrapped-up in a pint-sized 42HP case, and if you’re wondering it’s around £1,000. That’s arguably a lot of savings considering the cost of all the modules you will be buying individually. And if your asking about how it sounds.
Read more here: http://www.musictech.net/2017/05/pico-system-1-review/
How To Mix A Song From Scratch – Compression [Part 4 of 6]
Recording Revolution presents part 4 in their series on mixing songs from scratch, this time focusing on compression, and how it’s proper usage can make all the difference between a professional sounding mix (as heard on radio, for example) and mixes made in a home studio, which tend to sound more flat. Not only do they provide a video providing examples of how to use compression effectively, they explain how you can do it using free software.
Key Takeaways:
- Also, the uplifting news is, you needn’t bother with a favor compressor module or a costly DAW to force this off.
- As I’ve been doing this whole arrangement, I’m blending my melody in a FREE bit of programming and utilizing the included stock compressor module.
- I need to demonstrate to you industry standards to utilize a compressor when blending in your product whether on a vocal or a synth, pressure can give you that forthright solid you’re searching for.
“The answer is well executed compression. It can be the difference maker between a mix that is lifeless and one that jumps out of the speakers. And the good news is, you don’t need a fancy compressor plugin or an expensive DAW to pull this off.”
Read more: https://www.recordingrevolution.com/mix-song-from-scratch-compression/