Reaper audio recording software is awesome, and is what I recommend to everyone. I use it every day. And I also seem to learn something new about it every day. It has an incredible noise reduction tool built right in that I just discovered recently. The reason I didn’t know about it sooner is primarily due to the fact that reducing recorded noise is not its only or primary function. It just happens to do it REALLY well, and non-destructively (if that’s not a word already, I hereby create it). The tool is called ReaFIR. I know! Who’d have thought to look for noise reduction editing chops under a moniker like that?
Review of What Noise Reduction Does
First though, let’s do a quick review of what noise reduction does for us in the world of recording. There is almost always a bit of background noise in recorded audio. It is especially noticeable in recordings of just one thing, like a single voice. The noise usually comes from a combination of stuff happening in the space/room where the recording takes place, and the electronics of the microphone and other gear involved. Recordings sound much better if you can reduce the noise, and that is what noise reduction tools are designed to do.
But since the noise and the voice are both together in the same recording, it isn’t a perfect process. What noise reduction tools try to do is filter and removing as much noise as it can without also removing too much of the voice. In order to do this, the software has to know what noise looks like so it can separate it from the signal (voice). So you have to highlight a section of the recording where there is ONLY noise, and no voice, and feed that sample to the noise reduction tool. Once it has the noise profile, it can do its thing.
Enter ReaFIR
Reaper names its effect plugins by using “Rea” as a prefix (for Reaper), and then the name of the function after it. So ReaFIR means Reaper FIR. So what does FIR mean? It stands for Finite Impulse Response. If you would really like to geek out on what it really means, including all the scary math involved, you can read about it at the Finite Impulse Response Wikipedia page. But the simpler definition for ReaFIR itself from the Reaper manual is:
ReaFIR is a EQ and dynamics plug-in that includes an FFT spectrum analysis window. Amongst other things it can be used as a precision EQ, a gate, a fast attack/release precision compressor, a noise reduction tool.
Obviously it is that last thing we’re interested in. In the video above, I walk you through how to use ReaFIR to reduce the hiss noise that happened when I recorded a short voice over. BTW, this video is and excerpt from our new (to be released on May 1st, 2012) recording tutorial course, The Newbies Guide To Audio Recording Awesomeness – Part 2.
How Does It Work?
So see it in action in the video above. But here is is a written summary of how it works. Once you have recorded some audio onto a track, click the FX button in the track control panel. Then select VST: ReaFIR from the Cockos collection of FX plug-ins.
Next, go ahead and click the “OK” button and then close the ReaFIR window by clicking on the red X in the upper right corner.
Now just highlight/select a section of the voice-over audio that has no voice actually saying anything. In other words, pick a small area that was only noise. Then click on the Toggle Repeat button (down by the Play and Stop buttons). This is important because it will prevent any of the actual voice signal being played when sampling the noise for ReaFIR. With that area still highlighted, click on the FX button again to open the ReaFIR window.
In the Mode window of the ReaFIR tool, select Subtract, and put a tick into the Automatically build noise profile box. Now hit the Space bar on your keyboard (which will play the audio, which is just the noise at this point). You’ll hear it for a second and then it will be gone. That’s ReaFIR getting rid of the noise. Now hit the Space bar again to stop playback.
The next part is very important! Uncheck the box that says Automatically build noise profile. Otherwise ReaFIR will try to grab your voice and anything else on the track, and treat it as noise. Once you’ve done that, go ahead and close the ReaFIR window. Now all you have to do is click on the Toggle Repeat button again to turn it off, and listen to the entire track.
Voila! The noise is gone and only the voice remains. Pretty darned cool huh? And I think the result is better than a lot of tools dedicated to removing noise. I didn’t hear much, if any, of the weirdness that sometimes happens after noise reduction. The audio takes on a kind of swirly, under-water-y artifact sometimes. But I didn’t hear that in this example. However, there noise we got rid of was a low-level and consistent hiss type of noise. The louder the noise and the more varied the noise (if it contains lots of frequencies and intermittent clicks, pops, etc.), the more likely you are to have that swirly artifact left over after noise reduction.
So now you know about the secret noise reduction tool at your disposal if you use Reaper. Use it wisely.
Mathijs says
Awesome! Works very well. I was doing a album video-review and I kind of forgot how reducing noise with Reaper worked. So I quickly searched for some guide on the internet and stumbled upon this guide. the instructions in the video were very easy to follow and I learned something new as well, I think I never used ReaFir. So thanks a lot!
Ken Theriot says
You’re welcome. I’m so glad it helped!
-Ken
Brian Anderson says
I just tried this on a vocal track, and it worked wonders! Thanks for putting this information out there!
Ken Theriot says
Brian, so glad it helped. Thanks for the feedback!
Ken
Heather says
It didn’t work for me. FX didn’t turn red on one try. And on another try, although it turned green, the noise was still there.
Ken Theriot says
Heather. Things can turn out weird if you don’t do things in just the right order. I actually just messed it up the other day. First, removed the effect from the track. Then – and here’s where I messed up – make sure what BEFORE you do anything, highlight a section with ONLY noise AND hit the Toggle Repeat button (or hit the “R” key on your keyboard). This ensures that when you load ReaFir again, there is no chance anything other than noise can play. Now load up ReaFir again. Choose “Subtract” from the dropdown menu, and put a check mark in the “Automatically build noise profile” box. Then hit the spacebar on your keyboard to play the audio, which will just loop the selection of only noise. Once that plays for a few seconds, hit the spacebar again to stop playback. Then – and this is critical – take the checkmark out of the “Automatically build noise profile” box. That should do the trick. The only potential problem at that point would be if the noise you wanted to remove was too lour or too similar to the “actual” audio your recorded onto the track. I hope that helps!
Ken
Craig Williams says
Once you get used to Reaper it is a great DAW. This is a great tip but be careful it isn’t used too much as it can produce a kind of metallic sound in the background. It is much better to treat your room if possible.
Ken Theriot says
Very true, thanks! One thing to note though, is that treating your room will still not get rid of things like computer fan noise, A/C vent noise, etc. It’s primarily a thing for absorbing room echo.
If anyone is looking for room treatment info, check out my room foam project here: Improve The Quality Of The Audio You Record At Home – Tip 6: Acoustic Treatment
John says
Is it possible to remove background noise like from a tv in the back round with different levels of noise
I have a recording with very low voice recorded I need to listen it is a bit muffled and with the tv noise in the back round it’s near impossible to listen to the voice recording
Ken Theriot says
John – that’s a tough one. Here’s the problem. Noise removal works best in two situations – when the nature (mainly frequency) of the noise is very different from the thing you are recording (the “signal” – your voice, in this case), and when the noise is relatively low compared to the voice/signal. If neither of those situations is true – the background noise is similar to the recorded voice AND it is quite loud, you are not going to get a good result. Your best bet is to try to isolate JUST the TV noise in the background when there is no voice playback, capture that noise sample in a noise removal/reduction program, and try to filter it out. If the result makes the voice sound swirly or “under water,” try reducing the “amount” of noise reduction that is applied (usually a “percentage” option) and see if that helps. My gut feeling, based on what you describe, is that it will be difficult or impossible to get a good result. But it doesn’t hurt to try.
Mark Allan says
exactly what I was looking for. Very effective for voice recording with cheap microphones. For me, the noise is reduced so much that it sounds unnatural. So I reduced the effect level to about 70% (70% wet). Thank you for the very useful tip
Ken Theriot says
You’re welcome, Mark. The artifacts you get from noise reduction are usually related to how much noise was there in the first place. The more noise, the more swirlies and other odd sounds you’ll hear after noise reduction. that’s why it pays to try and prevent as much of it as you can.